Olympus XA + Slide Film

This will be the second post in a month I've shown images from my Olympus XA. The XA. Before Korea, I shot a lot of slide film (mostly in large format). So although my collection of film has grown, much of it is slide film. Moving from Boston has presented itself with problems of finding a lab to develop my film. I'm currently in between labs, but am leaning towards Citizens.

This roll was shot in Florida when I took a trip out there in the beginning of March.

This roll was shot in Florida when I took a trip out there in the beginning of March.

So if you're unfamiliar with Slide film I'll give you a brief explanation why I like it. Typically people shoot negative film to get enlarged and printed. With Slide film, it was originally intended to be put in a carousel and projected onto a wall, and not to be enlarged. Along came digital and changed all that. Now people shoot slide film because the look it gives film. There are a ton of presets in photoshop that people use to make their digital shots emulate slide film. 

That's not for me. I shoot slide film because of the tones it produces, They are rich, and not exactly contrasty, but the tones are rich. 


Fujica DL-20

This camera was found by my nearby market while living in Busan. There plenty of markets in Busan, but most of them catered to a typical you market you'd think of, food, clothing, and souvenirs. There was one market (which is still there) off the Dongdaesin station in Busan. If you're ever In Busan, its worth a trip. This market was special because It actually had used/ old/ vintage items such as old north korean money, vinyl, and occasionally film cameras. 


These photos were all still shot in Busan. I am currently living in NY, but have a massive overflow of images from 2016, so I'll be visually transitioning out of Asia slowly. 
Everything here was shot on Kodak Gold 200.
If you're a shooting film in Korea, go to FotoMaru in Seoul. They were excellent at processing my film and mailing my negatives back to me. I wasn't able to scan at the quality I wanted to until I got home, but I sent them 50+ rolls of 120 and 35mm film with zero problems. They're possibly the best in Korea.

Polaroid Land Camera+ FP100C

Last week was Polaroid Week, (or 'Roid Week) and I made almost no acceptable images, So instead of being sad, I'm honoring Edwin with this post.
I shot Polaroid and Fuji instant film all through Asia. (well at least in Korea and Japan) While in Korea, I had a mostly functional Polaroid 350. I took hundreds of polaroid prints home with me in a box that i'm yet to scan(Still waiting for them to flatten out). Since Korea, I replaced the bellows and accidentally punched a new hole through it. Thankfully a wonderful friend gifted me a brand new to me polaroid 250


If you're unfamiliar with Instant film, It makes some gorgeous images. I have a soft spot for any type of instant film because of my past affiliation with These Guys. In terms of instant film, Fuji's FP100C is especially special. Typically instant film produces a positive print that you can scan and do what you like with it. But with FP100C, you can also recover the negative itself. Some old polaroid films like Polaroid type 55 and Type 665 could get a positive and a negative. FP100C is a color film with a color negative, almost unheard of in modern film photography. The process to get the negative isn't so cut and dry. You must use a form of bleach to remove the black material on the back of the film. I've recently began using The Brothers Wright's workflow. Here are both some really terrible examples, as well as some pretty awesome ones. Using bleach has a chance of destroying, or shifting the colors of the film, so I am especially drawn to this material. Take a look at most of my previous work on my site here, and you can understand some other examples.